# PulseEffects' help Russian translation
# This file is distributed under the same license as the PulseEffects package.
# ⓒ  Mikhail Novosyolov [mikhailnov] <mikhailnov@dumalogiya.ru>, 2018
# ⓒ  Denis Goncharov, 2018
msgid ""
msgstr ""
"Project-Id-Version: PACKAGE VERSION\n"
"POT-Creation-Date: 2020-11-22 18:51+0100\n"
"PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n"
"Last-Translator: Mikhail Novosyolov <mikhailnov@dumalogiya.ru>\n"
"MIME-Version: 1.0\n"
"Content-Type: text/plain; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"

#. Put one translator per line, in the form NAME <EMAIL>, YEAR1, YEAR2
msgctxt "_"
msgid "translator-credits"
msgstr ""

# Энхансер (он же Эксайтер) — это прибор, который генерирует высшие гармоники низких частот, благодаря чему повышается локализация низких частот и их «читаемость».
# «Бас-Энхансер» или «Глубокий бас»
#. (itstool) path: page/title
#: C/bassenhancer.page:9
msgid "Bass Enhancer"
msgstr "Усиление басов (бас-энхансер)"

#. (itstool) path: page/p
#: C/bassenhancer.page:10
msgid ""
"The brain perceives the pitch of a tone not only by its fundamental "
"frequency but also by the periodicity implied by the relationship between "
"the higher harmonics. We may perceive the same pitch even if the fundamental "
"frequency is missing from a tone."
msgstr ""

#. (itstool) path: page/p
#: C/bassenhancer.page:16
msgid "PulseEffects uses the bass enhancer developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин бас-энхансера (генерирует высшие гармоники "
"низких частот, благодаря чему повышается локализация низких частот и их "
"«читаемость»), разработанный Calf Studio."

#. (itstool) path: title/em
#: C/bassenhancer.page:22 C/exciter.page:21 C/reverb.page:40
msgid "Amount"
msgstr ""

#. (itstool) path: item/p
#: C/bassenhancer.page:24 C/exciter.page:23
msgid "Amount of harmonics added to the original signal."
msgstr "Уровень гармоник, добавленных к исходному сигналу"

#. (itstool) path: title/em
#: C/bassenhancer.page:30 C/exciter.page:29
msgid "Harmonics"
msgstr "Гармоники"

#. (itstool) path: item/p
#: C/bassenhancer.page:32 C/exciter.page:31
msgid "Amount of newly created harmonics."
msgstr "Количество вновь созданных гармоник"

#. (itstool) path: title/em
#: C/bassenhancer.page:38 C/exciter.page:37
msgid "Scope"
msgstr "Диапазон частот"

#. (itstool) path: item/p
#: C/bassenhancer.page:40 C/exciter.page:39
msgid "The frequency harmonics are produced above."
msgstr "Диапазон частот, для которых генерируются гармоники."

#. (itstool) path: title/em
#: C/bassenhancer.page:46
msgid "Floor(button)"
msgstr "Нижний предел частоты (кнопка)"

#. (itstool) path: item/p
#: C/bassenhancer.page:48
msgid "Constrain the enhancement on the lower end."
msgstr ""
"Включение/выключение ограничения эффекта по нижнему пределу полосы частот."

#. (itstool) path: title/em
#: C/bassenhancer.page:54
msgid "Floor(value)"
msgstr "Нижний предел частоты (значение)"

#. (itstool) path: item/p
#: C/bassenhancer.page:56
msgid "The frequency no harmonics are produced below."
msgstr ""
"Для частот ниже выставленной данным регулятором гармоники генерироваться не "
"будут"

#. (itstool) path: title/em
#: C/bassenhancer.page:62 C/exciter.page:61
msgid "Blend Harmonics"
msgstr "Смешение гармоник"

#. (itstool) path: item/p
#: C/bassenhancer.page:64 C/exciter.page:63
msgid "The \"colour\" (or octave) of the harmonics."
msgstr "\"Цвет\" (или октава) гармоник"

#. (itstool) path: title/em
#: C/bassenhancer.page:70 C/compressor.page:97 C/exciter.page:69
msgid "Listen"
msgstr "Прослушать"

#. (itstool) path: item/p
#: C/bassenhancer.page:72 C/exciter.page:71
msgid "Mute the original signal and listen to the harmonics exclusively."
msgstr "Выключить исходный сигнал и прослушать только гармоники"

#. (itstool) path: section/title
#: C/bassenhancer.page:78 C/compressor.page:266 C/deesser.page:111
#: C/exciter.page:77 C/filter.page:47 C/gate.page:96 C/delay.page:33
#: C/limiter.page:100 C/loudness.page:56 C/multibandcompressor.page:128
#: C/multibandgate.page:136 C/reverb.page:97 C/stereotools.page:96
#: C/crossfeed.page:35 C/equalizer.page:251 C/pitch.page:87 C/webrtc.page:140
#: C/crystalizer.page:53 C/convolver.page:42 C/autogain.page:76
#: C/rnnoise.page:24
msgid "References"
msgstr "Отклики"

#. (itstool) path: page/title
#. (itstool) path: section/title
#: C/compressor.page:9 C/webrtc.page:84
msgid "Compressor"
msgstr "Компрессор"

#. (itstool) path: page/p
#: C/compressor.page:10
msgid "A compressor is used to reduce the audio signal dynamic range."
msgstr ""
"Компрессор — это прибор, уменьшающий уровень сигнала на заданный "
"пользователем коэффициент («Степень сжатия») при превышении сигналом уровня, "
"заданного пользователем («Порог срабатывания»). Компрессор имеет возможность "
"работы со среднеквадратичными (RMS) или пиковыми значениями сигнала (в "
"зависимости от пользовательских настроек прибора)."

#. (itstool) path: page/p
#: C/compressor.page:13
#, fuzzy
msgid "PulseEffects uses the compressor from Linux Studio Plugins."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/compressor.page:20 C/gate.page:20 C/multibandcompressor.page:20
#: C/multibandgate.page:20
msgid "Attack"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:22
msgid ""
"Attack determines how many milliseconds (ms) it takes your compressor to "
"apply a full dose of compression to your audio signal once it passes the "
"threshold. If the signal peaks above the threshold and quickly returns to "
"below the threshold, it may never receive a full dose of compression."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:31 C/gate.page:29 C/limiter.page:39
#: C/multibandcompressor.page:29 C/multibandgate.page:29 C/maximizer.page:44
msgid "Release"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:33
msgid ""
"Release determines how many milliseconds (ms) it takes your compressor to "
"stop attenuating gain once your audio signal drops below the threshold. A "
"fast release will cause your compressor to stop attenuating gain quickly "
"once the signal returns below the threshold. A slow release will cause your "
"compressor to stop attenuating gain slowly once the signal returns below the "
"threshold."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:43 C/deesser.page:26 C/gate.page:38
#: C/multibandcompressor.page:38 C/multibandgate.page:46 C/maximizer.page:27
msgid "Threshold"
msgstr "Порог срабатывания"

#. (itstool) path: item/p
#: C/compressor.page:45
#, fuzzy
msgid "If a signal surpass this level it will trigger the compression stage."
msgstr ""
"Уровень сигнала, выше которого «Компрессор» уменьшает уровень сигнала на "
"заданный пользователем коэффициент («Степень сжатия»)."

#. (itstool) path: title/em
#: C/compressor.page:51 C/deesser.page:34 C/gate.page:46
#: C/multibandcompressor.page:46 C/multibandgate.page:54
msgid "Ratio"
msgstr "Степень сжатия"

#. (itstool) path: item/p
#: C/compressor.page:53 C/deesser.page:36 C/gate.page:48
#: C/multibandcompressor.page:48 C/multibandgate.page:56
msgid "Set the ratio by which the signal will be reduced."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:59 C/gate.page:54 C/multibandcompressor.page:54
#: C/multibandgate.page:62
msgid "Knee"
msgstr "Колено (излом)"

#. (itstool) path: item/p
#: C/compressor.page:61 C/gate.page:56 C/multibandcompressor.page:56
#: C/multibandgate.page:64
msgid "Controls how smooth is the entrance in the gain reduction phase."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:67 C/deesser.page:42 C/gate.page:62
#: C/multibandcompressor.page:62 C/multibandgate.page:70
msgid "Makeup"
msgstr "Компенсирование"

#. (itstool) path: item/p
#: C/compressor.page:69 C/deesser.page:44 C/gate.page:64
#: C/multibandcompressor.page:64 C/multibandgate.page:72
msgid "It amplifies your signal after processing."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:75
#, fuzzy
msgid "Compression Mode"
msgstr "Компрессор"

#. (itstool) path: item/p
#: C/compressor.page:79
#, fuzzy
msgid ""
"<em style=\"strong\">Downward</em> - Decreases the amplitude of the signal "
"sections that are above the threshold."
msgstr "Гармоники"

#. (itstool) path: item/p
#: C/compressor.page:84
#, fuzzy
msgid ""
"<em style=\"strong\">Upwards</em> - Increases the amplitude of the signal "
"sections that are below the threshold."
msgstr "Гармоники"

#. (itstool) path: section/title
#: C/compressor.page:93
msgid "Sidechain"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:99
msgid "Allows to listen the processed sidechain signal."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:105 C/equalizer.page:99
msgid "Type"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:109
msgid ""
"<em style=\"strong\">Feed-forward</em> - The sidechain input is connected to "
"compressor's input. More aggressive compression."
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:115
msgid ""
"<em style=\"strong\">Feed-back</em> - The sidechain input is connected to "
"compressor's output. Vintage-style more accurate compression."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:124 C/deesser.page:103 C/multibandcompressor.page:95
#: C/multibandgate.page:103 C/stereotools.page:38 C/equalizer.page:23
#: C/equalizer.page:146 C/webrtc.page:75
msgid "Mode"
msgstr "Режим"

#. (itstool) path: item/p
#: C/compressor.page:128
#, fuzzy
msgid "<em style=\"strong\">Peak</em> - Measure signal's peak."
msgstr "Гармоники"

#. (itstool) path: item/p
#: C/compressor.page:134
#, fuzzy
msgid "<em style=\"strong\">RMS</em> - Root mean square of the input signal."
msgstr "Гармоники"

#. (itstool) path: item/p
#: C/compressor.page:140
msgid ""
"<em style=\"strong\">Low-Pass</em> - Input signal is processed by a low-pass "
"filter."
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:146
#, fuzzy
msgid ""
"<em style=\"strong\">Uniform</em> - Input signal is processed by a uniform "
"filter."
msgstr "Гармоники"

#. (itstool) path: title/em
#: C/compressor.page:155
msgid "Source"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:159
msgid ""
"<em style=\"strong\">Middle</em> - Middle part of signal is used for "
"sidechain processing."
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:165
msgid ""
"<em style=\"strong\">Side</em> - Side part of signal is used for sidechain "
"processing."
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:171
msgid ""
"<em style=\"strong\">Left</em> - Only left channel is used for sidechain "
"processing."
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:177
msgid ""
"<em style=\"strong\">Right</em> - Only right channel is used for sidechain "
"processing."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:186
msgid "Pre-amplification"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:188
msgid "Pre-amplification of the sidechain signal."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:194
msgid "Reactivity"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:196
msgid "Reactivity of the sidechain signal."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:202 C/limiter.page:30
msgid "Lookahead"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:204
msgid "Look-ahead time of the sidechain relative to the input signal."
msgstr ""

#. (itstool) path: section/title
#: C/compressor.page:211
msgid "Advanced"
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:215
msgid "Relative Release Threshold"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:217
msgid ""
"Relative to the Attack Threshold that sets up the threshold of Release Time."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:223
#, fuzzy
msgid "Boost Threshold"
msgstr "Порог срабатывания"

#. (itstool) path: item/p
#: C/compressor.page:225
msgid ""
"Related to upward compression mode only. It defines the threshold below "
"which the constant amplification will be applied to the input signal. This "
"prevents the compressor from applying infinite amplification to very quiet "
"signals."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:233
msgid "High-pass Filter Mode"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:235
msgid "Sets the type of the high-pass filter applied to sidechain signal."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:241
msgid "High-pass Frequency"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:243
msgid "Sets the cut-off frequency of the high-pass filter."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:249
msgid "Low-pass Filter Mode"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:251
msgid "Sets the type of the low-pass filter applied to sidechain signal."
msgstr ""

#. (itstool) path: title/em
#: C/compressor.page:257
msgid "Low-pass Frequency"
msgstr ""

#. (itstool) path: item/p
#: C/compressor.page:259
msgid "Sets the cut-off frequency of the low-pass filter."
msgstr ""

#. (itstool) path: page/title
#: C/deesser.page:9
msgid "Deesser"
msgstr "Антишипение (деэссер)"

#. (itstool) path: page/p
#: C/deesser.page:10
msgid ""
"PulseEffects uses the deesser developed by Calf Studio. A deesser is used to "
"dynamically reduce high frequencies. The standard field of use is the "
"reduction of \"sssss\" and \"shhhh\" in vocal tracks."
msgstr ""

#. (itstool) path: title/em
#: C/deesser.page:18
msgid "Laxity"
msgstr "Допуск на срабатывание"

#. (itstool) path: item/p
#: C/deesser.page:20
msgid ""
"The reaction of the deesser. Higher values won't affect really short peaks."
msgstr ""
"Значение данного параметра позволяет пропускать без обработки короткие пики "
"сигнала."

#. (itstool) path: item/p
#: C/deesser.page:28 C/multibandcompressor.page:40 C/multibandgate.page:48
msgid "If a signal rises above this level it will affect the gain reduction."
msgstr ""
"Уровень сигнала, выше которого «Компрессор» уменьшает уровень сигнала на "
"заданный пользователем коэффициент («Степень сжатия»)."

#. (itstool) path: title/em
#: C/deesser.page:50
#, fuzzy
msgid "F1 Split"
msgstr "Частота раздела"

#. (itstool) path: item/p
#: C/deesser.page:52
msgid ""
"The split frequency. All signals above this frequency will affect the gain "
"reduction (and in split mode they are affected by the reduction too)."
msgstr ""
"Уровень сигнала в полосе частот выше «Частоты раздела» при работе «Деэссера» "
"будет уменьшен"

#. (itstool) path: title/em
#: C/deesser.page:59
#, fuzzy
msgid "F1 Gain"
msgstr "Усиление"

#. (itstool) path: item/p
#: C/deesser.page:61
msgid ""
"It shifts the volume of the higher band. In wideband mode it affects the "
"sidechain. In split mode it also affects the processed high frequencies."
msgstr ""
"В широкополосном режиме данный параметр влияет на работу «Боковой цепи/"
"(Sidechain)»,в режиме разделения по частоте — на обрабатываемые высокие "
"частоты."

#. (itstool) path: title/em
#: C/deesser.page:68
#, fuzzy
msgid "F2 Peak"
msgstr "Пик"

#. (itstool) path: item/p
#: C/deesser.page:70
msgid ""
"Center frequency of the bell filter. It allows a more precise selection of "
"the sidechain signal."
msgstr ""
"Центр частоты фильтра типа «колокол». Позволяет произвести более точную "
"настройкусигнала «Боковой цепи/(Sidechain)»"

#. (itstool) path: title/em
#: C/deesser.page:77
#, fuzzy
msgid "F2 Level"
msgstr "Уровень"

#. (itstool) path: item/p
#: C/deesser.page:79
msgid "Increase or decrease the frequencies around the center bell frequency."
msgstr ""
"Увеличение или уменьшение уровня частот вокруг центральной частоты фильтра "
"типа «колокол»"

#. (itstool) path: title/em
#: C/deesser.page:85
#, fuzzy
msgid "F2 Peak Q"
msgstr "Добротность (Q)"

#. (itstool) path: item/p
#: C/deesser.page:87
msgid ""
"Set the quality of the bell. Higher values will affect a narrower frequency "
"range. Lower values will affect a wider band."
msgstr ""
"Добротность фильтра типа «колокол». Более высокое значение добротности "
"означает, что фильтр типа «колокол» влияет на более узкую полосу частот "
"вокруг центральной частоты фильтра,более низкое значение добротности — на "
"более широкую полосу частот вокруг центральной частоты фильтра."

#. (itstool) path: title/em
#: C/deesser.page:94 C/gate.page:79 C/multibandcompressor.page:78
#: C/multibandgate.page:86
msgid "Detection"
msgstr ""

#. (itstool) path: item/p
#: C/deesser.page:96
msgid ""
"Choose if the deesser should take the signal peak for detection or the RMS "
"value (it is smoother)."
msgstr ""
"Выберите, какой параметр сигнала управляет работой «Деэссера»:"
"среднеквадратичный (RMS) или пиковый"

#. (itstool) path: item/p
#: C/deesser.page:105
msgid "Select your operation mode between wideband or split"
msgstr "Выберите режим работы: «Широкополосный» или «С разделение по частоте»"

#. (itstool) path: page/title
#: C/exciter.page:9
msgid "Exciter"
msgstr ""

#. (itstool) path: page/p
#: C/exciter.page:10
msgid ""
"An exciter is used to enhance a signal by dynamic equalization, phase "
"manipulation, harmonic synthesis of high frequency signals, and through the "
"addition of subtle harmonic distortion."
msgstr ""

#. (itstool) path: page/p
#: C/exciter.page:15
msgid "PulseEffects uses the exciter developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/exciter.page:45
msgid "Ceiling(button)"
msgstr ""

#. (itstool) path: item/p
#: C/exciter.page:47
msgid "Constrain the excitement on the upper end."
msgstr ""

#. (itstool) path: title/em
#: C/exciter.page:53
msgid "Ceiling(value)"
msgstr ""

#. (itstool) path: item/p
#: C/exciter.page:55
msgid "The frequency no harmonics are produced above."
msgstr ""

#. (itstool) path: page/title
#: C/filter.page:9
msgid "Filter"
msgstr ""

#. (itstool) path: page/p
#: C/filter.page:10
msgid ""
"Audio filters can amplify (boost), pass or attenuate (cut) some frequency "
"ranges."
msgstr ""

#. (itstool) path: page/p
#: C/filter.page:14
msgid ""
"PulseEffects uses the filter from Calf Studio. It can be used to remove "
"defined parts of a frequency spectrum."
msgstr ""

#. (itstool) path: title/em
#: C/filter.page:21 C/equalizer.page:224
msgid "Frequency"
msgstr ""

#. (itstool) path: item/p
#: C/filter.page:23
msgid "The center or cut-off frequency of the filter."
msgstr ""

#. (itstool) path: title/em
#: C/filter.page:29
msgid "Resonance"
msgstr ""

#. (itstool) path: item/p
#: C/filter.page:31
msgid ""
"Add an accentuation to the center frequency. When used on a bandpass the "
"surrounding frequencies are decreased in level and the band gets more "
"narrow, a bandreject is narrowed down to a thin needle."
msgstr ""

#. (itstool) path: title/em
#: C/filter.page:39
msgid "Inertia"
msgstr ""

#. (itstool) path: item/p
#: C/filter.page:41
msgid "Smooths the jumps between frequencies."
msgstr ""

#. (itstool) path: page/title
#: C/gate.page:9
msgid "Gate"
msgstr ""

#. (itstool) path: page/p
#: C/gate.page:10
msgid ""
"Gates attenuate signals that register below the threshold. This kind of "
"signal processing reduces disturbing noise between useful signals."
msgstr ""

#. (itstool) path: page/p
#: C/gate.page:14
msgid "PulseEffects uses the gate developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: item/p
#: C/gate.page:22
#, fuzzy
msgid ""
"Amount of milliseconds the signal has to rise above the threshold before "
"gain reduction stops."
msgstr ""
"Время (в миллисекундах), в течение которого «Компрессор» не уменьшает "
"уровень сигнала после достижения сигналом уровнявыше «Порога срабатывания»."

#. (itstool) path: item/p
#: C/gate.page:31
#, fuzzy
msgid ""
"Amount of milliseconds the signal has to fall below the threshold before the "
"reduction is increased again."
msgstr ""
"Время (в миллисекундах), в течение которого «Компрессор» продолжает "
"уменьшать уровень сигнала после достижения сигналом уровняниже «Порога "
"срабатывания»."

#. (itstool) path: item/p
#: C/gate.page:40
#, fuzzy
msgid "If a signal rises above this level the gain reduction is released."
msgstr ""
"Уровень сигнала, выше которого «Компрессор» уменьшает уровень сигнала на "
"заданный пользователем коэффициент («Степень сжатия»)."

#. (itstool) path: title/em
#: C/gate.page:70
msgid "Stereo Link"
msgstr ""

#. (itstool) path: item/p
#: C/gate.page:72
msgid ""
"Choose if the gain reduction is affected by the louder channel or by the "
"average level between the channels."
msgstr ""

#. (itstool) path: item/p
#: C/gate.page:81
msgid ""
"Choose if the gate should take the signal peak for detection or the RMS "
"value (it is smoother)."
msgstr ""

#. (itstool) path: title/em
#: C/gate.page:88
msgid "Gain Reduction"
msgstr ""

#. (itstool) path: item/p
#: C/gate.page:90
msgid "The level of gain reduction when the signal is below the threshold."
msgstr ""

#. (itstool) path: page/title
#: C/delay.page:9
msgid "Delay"
msgstr ""

#. (itstool) path: page/p
#: C/delay.page:10
msgid ""
"This plugin allows to add short delay to each individual channel of the "
"stereo channel"
msgstr ""

#. (itstool) path: title/em
#: C/delay.page:17
msgid "Left"
msgstr ""

#. (itstool) path: item/p
#: C/delay.page:19
msgid "Left channel delay."
msgstr ""

#. (itstool) path: title/em
#: C/delay.page:25
msgid "Right"
msgstr ""

#. (itstool) path: item/p
#: C/delay.page:27
msgid "Right channel delay."
msgstr ""

#. (itstool) path: page/title
#: C/index.page:8
msgid "PulseEffects"
msgstr ""

#. (itstool) path: page/p
#: C/index.page:9
msgid ""
"PulseEffects applies audio effects to Pulseaudio applications. You can apply "
"effects to applications output or to your microphone before sending its "
"audio to a recording application."
msgstr ""

#. (itstool) path: section/title
#: C/index.page:11
msgid "Guides"
msgstr ""

#. (itstool) path: section/title
#: C/index.page:14
msgid "User Interface"
msgstr ""

#. (itstool) path: section/title
#: C/index.page:17
msgid "Plugins"
msgstr ""

#. (itstool) path: section/title
#: C/index.page:20
msgid "Calibration"
msgstr ""

#. (itstool) path: page/title
#. (itstool) path: title/em
#: C/limiter.page:9 C/limiter.page:18 C/webrtc.page:88
msgid "Limiter"
msgstr ""

#. (itstool) path: page/p
#: C/limiter.page:10
msgid ""
"A limiter allows signals below a specified input power or level to pass "
"unaffected while attenuating (lowering) the peaks of stronger signals that "
"exceed this threshold."
msgstr ""

#. (itstool) path: page/p
#: C/limiter.page:15
#, fuzzy
msgid "PulseEffects uses the limiter developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/limiter.page:22
msgid "Limit"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:24
msgid "No signal above this level will pass through the limiter."
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:32
msgid ""
"The Limiter will reach its attenuation level in this amount of time (output "
"will be delayed two times this time)."
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:41
msgid "Stop the attenuation after this amount of milliseconds."
msgstr ""

#. (itstool) path: title/em
#: C/limiter.page:47
msgid "Oversampling"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:49
msgid ""
"Increase the signal sampling to better detect the peaks. The signal is "
"downsampled after processing."
msgstr ""

#. (itstool) path: title/em
#: C/limiter.page:56
msgid "Automatic Smoothing Control"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:58
msgid ""
"When gain reduction is always needed ASC takes care of releasing to an "
"average reduction level rather than reaching a reduction of 0 in the release "
"time."
msgstr ""

#. (itstool) path: title/em
#: C/limiter.page:65
msgid "ASC Level"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:67
msgid ""
"Select how much the release time is affected by ASC, 0 means nearly no "
"changes in release time while 1 produces higher release times."
msgstr ""

#. (itstool) path: title/em
#: C/limiter.page:74
msgid "Automatic Leveling"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:76
msgid ""
"Raises the signal level adding the absolute value of the limit amount after "
"the compression stage is performed. Enabling this feature the volume is "
"automatically leveled at 0 db."
msgstr ""

#. (itstool) path: title/em
#: C/limiter.page:84
msgid "Input Gain"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:86
#, fuzzy
msgid ""
"Raises or decrease the signal level before it is sent to the compression "
"stage."
msgstr ""
"Уровень сигнала, выше которого «Компрессор» уменьшает уровень сигнала на "
"заданный пользователем коэффициент («Степень сжатия»)."

#. (itstool) path: title/em
#: C/limiter.page:92
msgid "Output Gain"
msgstr ""

#. (itstool) path: item/p
#: C/limiter.page:94
#, fuzzy
msgid "Raises or decrease the signal level after the compression stage."
msgstr ""
"Уровень сигнала, выше которого «Компрессор» уменьшает уровень сигнала на "
"заданный пользователем коэффициент («Степень сжатия»)."

#. (itstool) path: page/title
#: C/loudness.page:9
msgid "Loudness Compensator"
msgstr ""

#. (itstool) path: page/p
#: C/loudness.page:10
msgid ""
"PulseEffects uses the loudness compensator from Linux Studio Plugins which "
"applies equal loudness contour corrections to the input signal. This is a "
"measure of sound pressure level (SPL), over the frequency spectrum, for "
"which a listener perceives a constant loudness when presented with pure "
"steady tones."
msgstr ""

#. (itstool) path: title/em
#: C/loudness.page:20
msgid "Input"
msgstr ""

#. (itstool) path: item/p
#: C/loudness.page:22
msgid ""
"The input gain settings, allows to adjust the level of the input signal to "
"the desired level."
msgstr ""

#. (itstool) path: title/em
#: C/loudness.page:29
msgid "Output"
msgstr ""

#. (itstool) path: item/p
#: C/loudness.page:31
msgid ""
"The output volume of the signal with applied equal loudness contour, "
"controls the loudness of the 1 kHz pure sine wave."
msgstr ""

#. (itstool) path: title/em
#: C/loudness.page:38
msgid "Standard"
msgstr ""

#. (itstool) path: item/p
#: C/loudness.page:40
msgid "Allows to select different equal loudness contour standards."
msgstr ""

#. (itstool) path: title/em
#: C/loudness.page:46
msgid "FFT Size"
msgstr ""

#. (itstool) path: item/p
#: C/loudness.page:48
msgid ""
"Allows to select size of the fast Fourier transform frame used for the "
"processing. The larger FFT frame is, the more precize the curve is "
"approximated and the more latency the plugin introduces"
msgstr ""

#. (itstool) path: page/title
#: C/multibandcompressor.page:9
msgid "Multiband Compressor"
msgstr ""

#. (itstool) path: page/p
#: C/multibandcompressor.page:10
msgid ""
"This kind of compressor splits the signal in four different frequency "
"ranges. These ranges are compressed separately and mixed together afterwards "
"again."
msgstr ""

#. (itstool) path: page/p
#: C/multibandcompressor.page:14
msgid "PulseEffects uses the multiband compressor developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: item/p
#: C/multibandcompressor.page:22 C/multibandgate.page:22
msgid ""
"Amount of milliseconds the signal has to rise above the threshold before "
"gain reduction starts."
msgstr ""
"Время (в миллисекундах), в течение которого «Компрессор» не уменьшает "
"уровень сигнала после достижения сигналом уровнявыше «Порога срабатывания»."

#. (itstool) path: item/p
#: C/multibandcompressor.page:31 C/multibandgate.page:31
msgid ""
"Amount of milliseconds the signal has to fall below the threshold before the "
"reduction is decreased again."
msgstr ""
"Время (в миллисекундах), в течение которого «Компрессор» продолжает "
"уменьшать уровень сигнала после достижения сигналом уровняниже «Порога "
"срабатывания»."

#. (itstool) path: title/em
#: C/multibandcompressor.page:70 C/multibandgate.page:78 C/crystalizer.page:37
msgid "Bypass"
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:72 C/multibandgate.page:80
msgid "Don't process anything, just bypass the signal of this strip."
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:80
msgid ""
"Choose if the multibandcompressor should take the signal peak for detection "
"or the RMS value (it is smoother)."
msgstr ""

#. (itstool) path: title/em
#: C/multibandcompressor.page:87 C/multibandgate.page:95 C/equalizer.page:208
msgid "Solo"
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:89 C/multibandgate.page:97
msgid "Mute all strips not set to solo."
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:97 C/multibandgate.page:105
msgid ""
"The crossover mode. You can choose between the fourth order Linkwitz-"
"Riley(LR4) and the eighth order Linkwitz-Riley(LR8)."
msgstr ""

#. (itstool) path: title/em
#: C/multibandcompressor.page:104 C/multibandgate.page:112
msgid "Split 1/2"
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:106 C/multibandgate.page:114
msgid "Frequency that separates the sub band and the low band."
msgstr ""

#. (itstool) path: title/em
#: C/multibandcompressor.page:112 C/multibandgate.page:120
msgid "Split 2/3"
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:114 C/multibandgate.page:122
msgid "Frequency that separates the low band and the mid band."
msgstr ""

#. (itstool) path: title/em
#: C/multibandcompressor.page:120 C/multibandgate.page:128
msgid "Split 3/4"
msgstr ""

#. (itstool) path: item/p
#: C/multibandcompressor.page:122 C/multibandgate.page:130
msgid "Frequency that separates the mid band and the high band."
msgstr ""

#. (itstool) path: page/title
#: C/multibandgate.page:9
msgid "Multiband Gate"
msgstr ""

#. (itstool) path: page/p
#: C/multibandgate.page:10
msgid ""
"This kind of gate splits the signal in four different frequency ranges. "
"These ranges are processed separately and mixed together afterwards again."
msgstr ""

#. (itstool) path: page/p
#: C/multibandgate.page:14
msgid "PulseEffects uses the multiband gate developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/multibandgate.page:38
msgid "Reduction"
msgstr ""

#. (itstool) path: item/p
#: C/multibandgate.page:40
msgid "The level of reduction in this strip."
msgstr ""

#. (itstool) path: item/p
#: C/multibandgate.page:88
msgid ""
"Choose if the multibandgate should take the signal peak for detection or the "
"RMS value (it is smoother)."
msgstr ""

#. (itstool) path: page/title
#: C/reverb.page:9
msgid "Reverberation"
msgstr ""

#. (itstool) path: page/p
#: C/reverb.page:10
msgid ""
"Reverberation, in psychoacoustics and acoustics, is a persistence of sound "
"after the sound is produced. A reverberation, or reverb, is created when a "
"sound or signal is reflected causing a large number of reflections to build "
"up and then decay as the sound is absorbed by the surfaces of objects in the "
"space. Reverberation plugins can be used to artificially produce this effect."
msgstr ""

#. (itstool) path: page/p
#: C/reverb.page:17
msgid "PulseEffects uses the reverberation developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/reverb.page:23
msgid "Pre Delay"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:25
msgid ""
"Additional delay - corresponds to a distance between sound source and the "
"nearest wall."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:32
msgid "Decay Time"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:34
msgid "Time it takes for reverberation to fade out."
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:42
msgid "Amount of processed signal (reverberation) in the output."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:48
msgid "Dry"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:50
msgid "Amount of unprocessed signal in the output."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:56
msgid "Bass Cut"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:58
msgid "Removes low frequencies from the reverberation."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:64
msgid "Treble Cut"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:66
msgid "Removes high frequencies from the reverberation."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:72
msgid "Diffusion"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:74
msgid "Increase its value for less uniform reverberation."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:80
msgid "Room Size"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:82
msgid ""
"Size of the space that simulated reverberation occurs in - determines times "
"between reflections."
msgstr ""

#. (itstool) path: title/em
#: C/reverb.page:89
msgid "High Frequency Damping"
msgstr ""

#. (itstool) path: item/p
#: C/reverb.page:91
msgid ""
"Cutoff reflections high frequencies - causes higher frequencies to decay "
"faster."
msgstr ""

#. (itstool) path: page/title
#: C/stereotools.page:9
msgid "Stereo Tools"
msgstr ""

#. (itstool) path: page/p
#: C/stereotools.page:10
msgid "PulseEffects uses the stereo tools developed by Calf Studio."
msgstr ""
"PulseEffects использует плагин для усиления басов, разработанный Calf Studio."

#. (itstool) path: title/em
#: C/stereotools.page:16
msgid "Softclip"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:18
msgid "Do kind of analog distortion instead of harsh digital 0db clipping."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:24
msgid "Balance"
msgstr "Баланс"

#. (itstool) path: item/p
#: C/stereotools.page:26
msgid "Set the balance between both channels."
msgstr "Настройка баланса между обоими каналами."

#. (itstool) path: title/em
#: C/stereotools.page:32
msgid "S/C Level"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:40
msgid "Choose normal stereo behavior (LR - LR) or convert between MS and LR."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:46
msgid "Side Level"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:48
msgid "The level of the side signal."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:54
msgid "Side Balance"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:56
msgid "The balance of the side signal."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:62
msgid "Middle Level"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:64
msgid "Middle signal position in the stereo panorama."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:70
msgid "Delay L/R"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:72
msgid ""
"Delay the left or the right channel (milliseconds). Negative values delay "
"the left channel and positive values the right channel."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:79
msgid "Stereo Base"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:81
msgid ""
"Set the stereo base of your material seamless between Mono and inverted "
"Channels."
msgstr ""

#. (itstool) path: title/em
#: C/stereotools.page:88
msgid "Stereo Phase"
msgstr ""

#. (itstool) path: item/p
#: C/stereotools.page:90
msgid "Set the stereo phase of your material."
msgstr ""

#. (itstool) path: page/title
#: C/maximizer.page:9
msgid "Maximizer"
msgstr ""

#. (itstool) path: page/p
#: C/maximizer.page:10
msgid ""
"Maximizer is a versatile plugin that can be tweaked to be a compressor, an "
"amplifier and a limiter. It is basically controlled by only two parameters: "
"ceiling and threshold. Threshold is a relative value representing the "
"amplification of the signal while ceiling is the maximum allowed output peak "
"level. Setting both values different from zero, the plugin will act as an "
"upward compressor with a limiter on the ceiling level (overly amplified "
"signal with ceiling set too low can result in distorted sound even without "
"the presence of clipping). When only threshold is set equal to zero, it "
"reduces the amplitude of the signal."
msgstr ""

#. (itstool) path: page/p
#: C/maximizer.page:21
msgid "PulseEffects uses the maximizer from ZamAudio."
msgstr "PulseEffects использует плагин для усиления басов из ZamAudio."

#. (itstool) path: item/p
#: C/maximizer.page:29
msgid ""
"Relative value representing the amplification of the signal. Zero is no "
"amplification. Lower values, higher amplification."
msgstr ""

#. (itstool) path: title/em
#: C/maximizer.page:36
msgid "Ceiling"
msgstr ""

#. (itstool) path: item/p
#: C/maximizer.page:38
msgid "Maximum allowed peak level of the output signal."
msgstr ""

#. (itstool) path: item/p
#: C/maximizer.page:46
msgid "Set the release in milliseconds."
msgstr ""

#. (itstool) path: page/title
#: C/crossfeed.page:9
msgid "Crossfeed"
msgstr ""

#. (itstool) path: page/p
#: C/crossfeed.page:10
msgid ""
"PulseEffects uses the crossfeed from GStreamer. This plugin is based on the "
"bs2b library and can be used to improve headphone listening of stereo audio "
"records. It does so by mixing the left and right channel in a way that "
"simulates a stereo speaker setup while using headphones."
msgstr ""

#. (itstool) path: title/em
#: C/crossfeed.page:19
msgid "Cutoff"
msgstr ""

#. (itstool) path: item/p
#: C/crossfeed.page:21
msgid "Low-pass filter cutoff frequency."
msgstr ""

#. (itstool) path: title/em
#: C/crossfeed.page:27
msgid "Feed"
msgstr ""

#. (itstool) path: item/p
#: C/crossfeed.page:29
msgid "Amount of signal from a channel that is sent to the other."
msgstr ""

#. (itstool) path: page/title
#: C/equalizer.page:9
msgid "Equalizer"
msgstr ""

#. (itstool) path: page/p
#: C/equalizer.page:10
msgid ""
"PulseEffects uses the parametric equalizer from Linux Studio Plugins. You "
"can choose between 1 and 30 bands. You also can change the center frequency "
"and the width of each band as needed. There are a few presets but at this "
"moment all of them have only 10 bands. Presets with other number of bands "
"may be added in the future."
msgstr ""

#. (itstool) path: section/title
#: C/equalizer.page:18
msgid "Main Menu"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:27
msgid ""
"<em style=\"strong\">IIR</em> - Infinite Impulse Response filters, nonlinear "
"minimal phase. In most cases does not add noticeable latency to output "
"signal."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:33
msgid ""
"<em style=\"strong\">FIR</em> - Finite Impulse Response filters with linear "
"phase, finite approximation of equalizer's impulse response. Adds noticeable "
"latency to output signal."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:39
msgid ""
"<em style=\"strong\">FFT</em> - Fast Fourier Transform approximation of the "
"frequency chart, linear phase. Adds noticeable latency to output signal."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:48
msgid "Bands"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:50
msgid "The number of equalizer bands."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:56
msgid "Split Channels"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:58
msgid ""
"When this option is enabled it is possible to apply different equalizations "
"to the left and the right channel."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:65
msgid "Flat Response"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:67
msgid "This function sets each band gain to 0."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:73
msgid "Calculate Frequencies"
msgstr "Подсчитать частоты"

#. (itstool) path: item/p
#: C/equalizer.page:75
msgid ""
"This function can be used to calculate the center frequencies and bandwidth "
"of a graphic equalizer with the current number of selected bands. Useful "
"when the user does not want the default number of 30 bands but has no idea "
"about which frequencies and bandwidth he/she should choose."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:84
msgid "Reset Equalizer"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:86
msgid "Reset the equalizer to its default settings."
msgstr ""

#. (itstool) path: section/title
#: C/equalizer.page:95
msgid "Band Menu"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:103
msgid "<em style=\"strong\">Off</em> - Filter is not working (turned off)."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:108
msgid "<em style=\"strong\">Bell</em> - Bell filter with smooth peak/recess."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:113
msgid ""
"<em style=\"strong\">High-pass</em> - High-pass filter with rejection of low "
"frequencies."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:118
msgid ""
"<em style=\"strong\">High-shelf</em> - Shelving filter with adjustment of "
"high frequency range."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:123
msgid ""
"<em style=\"strong\">Low-pass</em> - Low-pass filter with rejection of high "
"frequencies."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:128
msgid ""
"<em style=\"strong\">Low-shelf</em> - Shelving filter with adjustment of low "
"frequencies."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:133
msgid ""
"<em style=\"strong\">Notch</em> - Notch filter with full rejection of "
"selected frequency."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:138
msgid ""
"<em style=\"strong\">Resonance</em> - Resonance filter wih sharp peak/recess."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:150
msgid ""
"<em style=\"strong\">RLC</em> - Very smooth filters based on similar "
"cascades of RLC contours."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:155
msgid ""
"<em style=\"strong\">BWC</em> - Butterworth-Chebyshev-type-1 based filters. "
"Does not affect Resonance and Notch filters."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:161
msgid ""
"<em style=\"strong\">LRX</em> - Linkwitz-Riley based filters. Does not "
"affect Resonance and Notch filters."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:166
msgid ""
"<em style=\"strong\">APO</em> - Digital biquad filters derived from canonic "
"analog biquad prototypes digitalized through Bilinear transform. These are "
"textbook filters <_:link-1/> which are implemented as in the <_:link-2/> "
"software."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:181
msgid ""
"<em style=\"strong\">(BT)</em> - Bilinear Z-transform is used for pole/zero "
"mapping."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:186
msgid ""
"<em style=\"strong\">(MT)</em> - Matched Z-transform is used for pole/zero "
"mapping."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:191
msgid ""
"<em style=\"strong\">(DR)</em> - Direct design is used to serve the digital "
"filter coefficients directly in the digital domain without performing "
"transforms."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:200
msgid "Slope"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:202
msgid "The slope of the filter characteristics."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:210
msgid "Makes this band the only one active."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:216 C/crystalizer.page:45
msgid "Mute"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:218
msgid "Mutes the band."
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:226
msgid "Band center frequency."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:232
msgid "Width"
msgstr ""

#. (itstool) path: p/code
#: C/equalizer.page:236
#, no-wrap
msgid "width = frequency / quality"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:234
msgid "Bandwidth. Calculated as <_:code-1/>."
msgstr ""

#. (itstool) path: title/em
#: C/equalizer.page:241
msgid "Quality"
msgstr ""

#. (itstool) path: item/p
#: C/equalizer.page:243
msgid "Quality factor."
msgstr ""

#. (itstool) path: page/title
#: C/pitch.page:9
msgid "Pitch"
msgstr ""

#. (itstool) path: page/p
#: C/pitch.page:10
msgid ""
"Pitch shifting is a sound recording technique in which the original pitch of "
"a sound is raised or lowered."
msgstr ""

#. (itstool) path: page/p
#: C/pitch.page:14
msgid "PulseEffects uses the pitch shifter from RubberBand."
msgstr "PulseEffects использует регулятор высоты тона из RubberBand."

#. (itstool) path: title/em
#: C/pitch.page:20
msgid "Faster"
msgstr ""

#. (itstool) path: title/em
#: C/pitch.page:26
msgid "Preserve Formant"
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:28
msgid "Enable formant preservation when pitch shifting."
msgstr ""

#. (itstool) path: title/em
#: C/pitch.page:34
msgid "Cents"
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:36
msgid "Number of cents the pitch will increased or decreased."
msgstr ""

#. (itstool) path: title/em
#: C/pitch.page:42
msgid "Semitones"
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:44
msgid "Number of semitones the pitch will increased or decreased."
msgstr ""

#. (itstool) path: title/em
#: C/pitch.page:50
msgid "Octaves"
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:52
msgid "Number of octaves the pitch will increased or decreased."
msgstr ""

#. (itstool) path: title/em
#: C/pitch.page:58
msgid "Crispness"
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:62
msgid ""
"0 - Disable phase resynchronisation at transients, phase lamination and use "
"longer processing window."
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:68
msgid ""
"1 - Use soft transient detector, disable phase lamination and use longer "
"processing window."
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:74
msgid "2 - Disable phase resynchronisation at transients and phase lamination."
msgstr ""

#. (itstool) path: item/p
#: C/pitch.page:79
msgid "3 - Disable phase resynchronisation at transients."
msgstr ""

#. (itstool) path: page/title
#: C/webrtc.page:9
msgid "Webrtc"
msgstr ""

#. (itstool) path: page/p
#: C/webrtc.page:10
msgid ""
"PulseEffects uses the webrtc from GStreamer. This plugin offers a voice "
"enhancement filter based on WebRTC Audio Processing library. This library "
"provides a broad variety of enhancement algorithms. This plugin tries to "
"enable as many of those as possible. The currently enabled enhancements are "
"High Pass Filter, Echo Canceller, Noise Suppression, Automatic Gain Control, "
"and some extended filters."
msgstr ""

#. (itstool) path: section/title
#: C/webrtc.page:19
msgid "Echo Canceller"
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:23
msgid "Extended Filter"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:25
msgid "Enabled or disables the extended filter."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:31
msgid "High Pass Filter"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:33
msgid "Enables or disables the high pass filter."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:39
msgid "Delay Agnostic"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:41
msgid "Enables or disables the delay agnostic mode."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:47 C/webrtc.page:61
msgid "Suppression Level"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:49
msgid ""
"Controls the aggressiveness of the suppressor. A higher level trades off "
"double-talk performance for increased echo suppression."
msgstr ""

#. (itstool) path: section/title
#: C/webrtc.page:57
msgid "Noise Suppressor"
msgstr "Компрессор шума"

#. (itstool) path: item/p
#: C/webrtc.page:63
msgid ""
"Controls the aggressiveness of the suppression. Increasing the level will "
"reduce the noise level at the expense of a higher speech distortion."
msgstr ""

#. (itstool) path: section/title
#: C/webrtc.page:71
msgid "Gain Controller"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:77
msgid "Controls the mode of the compression stage."
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:90
msgid ""
"When enabled, the compression stage will hard limit the signal to the target "
"level. Otherwise, the signal will be compressed but not limited above the "
"target level."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:98
msgid "Target Level"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:100
msgid ""
"Sets the target peak level of the gain control in dBFS (decibels from "
"digital full-scale)."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:107
msgid "Maximum Gain"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:109
msgid "Sets the maximum gain the digital compression stage may apply."
msgstr ""

#. (itstool) path: section/title
#: C/webrtc.page:116
msgid "Voice Detector"
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:120
msgid "Detection Likelihood"
msgstr "Вероятность обнаружения"

#. (itstool) path: item/p
#: C/webrtc.page:122
msgid ""
"Specifies the likelihood that a frame will be declared to contain voice."
msgstr ""

#. (itstool) path: title/em
#: C/webrtc.page:130
msgid "Frame Size"
msgstr ""

#. (itstool) path: item/p
#: C/webrtc.page:132
msgid ""
"Sets the size of the frames in ms on which the VAD will operate. Larger "
"frames will improve detection accuracy, but reduce the frequency of updates."
msgstr ""

#. (itstool) path: page/title
#: C/crystalizer.page:9
msgid "Crystalizer"
msgstr ""

#. (itstool) path: page/p
#: C/crystalizer.page:10
msgid ""
"This plugin can be used to add a little of dynamic range to songs that were "
"overly compressed"
msgstr ""

#. (itstool) path: title/em
#: C/crystalizer.page:17
#, fuzzy
msgid "Aggressive Mode"
msgstr "Компрессор"

#. (itstool) path: item/p
#: C/crystalizer.page:19
msgid ""
"When this option is enabled sample amplitude dependent amplification will be "
"applied to the signal. Take care to not saturate the next plugin in the "
"processing chain."
msgstr ""

#. (itstool) path: title/em
#: C/crystalizer.page:27
msgid "Intensities"
msgstr ""

#. (itstool) path: item/p
#: C/crystalizer.page:29
msgid ""
"The higher the value the higher is the difference in magnitude between the "
"loudest and the quietest sounds. You can set different intensities for each "
"frequency band."
msgstr ""

#. (itstool) path: item/p
#: C/crystalizer.page:39
msgid ""
"When active the audio signal passing through this band will not be modified."
msgstr ""

#. (itstool) path: item/p
#: C/crystalizer.page:47
msgid "Silence the band."
msgstr ""

#. (itstool) path: page/title
#: C/convolver.page:9
msgid "Convolver"
msgstr ""

#. (itstool) path: page/p
#: C/convolver.page:10
msgid ""
"A convolver creates a simulation of an audio environment. It is based on the "
"mathematical convolution operation, and uses a pre-recorded audio sample of "
"the impulse response of the space being modeled."
msgstr ""

#. (itstool) path: title/em
#: C/convolver.page:18
msgid "Import Impulse"
msgstr ""

#. (itstool) path: item/p
#: C/convolver.page:20
msgid ""
"Import an impulse response file to PulseEffects configuration directory."
msgstr ""

#. (itstool) path: title/em
#: C/convolver.page:26
msgid "Stereo Width"
msgstr ""

#. (itstool) path: item/p
#: C/convolver.page:28
msgid "Modify the impulse response stereo image width."
msgstr ""

#. (itstool) path: title/em
#. (itstool) path: page/title
#: C/convolver.page:34 C/spectrum.page:9
msgid "Spectrum"
msgstr ""

#. (itstool) path: item/p
#: C/convolver.page:36
msgid "Visualize the frequency spectrum of the selected channel."
msgstr ""

#. (itstool) path: page/title
#: C/settingsmenu.page:10
msgid "Settings Menu"
msgstr ""

#. (itstool) path: page/title
#: C/general.page:9
msgid "General"
msgstr ""

#. (itstool) path: title/em
#: C/general.page:13
msgid "Start Service at Login"
msgstr "Автозапуск PulseEffects"

#. (itstool) path: item/p
#: C/general.page:15
msgid ""
"Start PulseEffects as a service in the next login. This is done by creating "
"an autostart file at <cmd its:withinText=\"yes\">~/.config/autostart</cmd>"
msgstr ""

#. (itstool) path: title/em
#: C/general.page:23
msgid "Process All Outputs"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:25
msgid ""
"Apply effects to the output of all audio applications. This will "
"automatically switch on the per application switch that can be seen in the "
"Applications entry."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:32
msgid "Process All Inputs"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:34
msgid ""
"Apply effects to the input(microphone) of all audio applications. This will "
"automatically switch on the per application switch that can be seen in the "
"Applications entry."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:42
msgid "Use Dark Theme"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:44
msgid "Use the dark version of the GTK theme."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:50 C/autogain.page:16
msgid "Reset"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:52
msgid ""
"Reset all parameters to their default values. This will reset the plugins "
"too."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:58
msgid "Priority type"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:60
msgid ""
"Choose between real time mode, niceness or none. This parameter allows to "
"choose a higher priority for the threads that process audio."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:67
msgid "Niceness"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:69
msgid "Niceness value."
msgstr ""

#. (itstool) path: title/em
#: C/general.page:75
msgid "Priority"
msgstr ""

#. (itstool) path: item/p
#: C/general.page:77
msgid "Real time priority."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:13
msgid "Show"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:15
msgid "Hide or show the spectrum."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:21
msgid "Points"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:23
msgid "Number of points displayed."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:29
msgid "Height"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:31
msgid "Spectrum height."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:37
msgid "Scale"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:39
msgid "Bar height scaling factor."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:45
msgid "Exponent"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:47
msgid "Scaling factor exponent."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:53
msgid "Sampling"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:55
msgid "Spectrum update frequency."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:61
msgid "Line Width"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:63
msgid "Bar line width."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:69
msgid "Fill"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:71
msgid "Draw filled bars."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:77
msgid "Border"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:79
msgid "Show bar border."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:85
msgid "Use Custom Color"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:87
msgid "Use a user defined color or the GTK theme color."
msgstr ""

#. (itstool) path: title/em
#: C/spectrum.page:93
msgid "Spectrum Color"
msgstr ""

#. (itstool) path: item/p
#: C/spectrum.page:95
msgid "User defined color."
msgstr ""

#. (itstool) path: page/title
#: C/pulseaudio.page:9
msgid "Pulseaudio"
msgstr ""

#. (itstool) path: page/p
#: C/pulseaudio.page:10
msgid ""
"PulseEffects has two GStreamer pipelines. One that applies effects for "
"applications output and other that applies effects for microphone. Here the "
"user can tweak a few advanced parameters for both pipelines."
msgstr ""

#. (itstool) path: title/em
#: C/pulseaudio.page:18
msgid "Use Default"
msgstr ""

#. (itstool) path: item/p
#: C/pulseaudio.page:20
msgid "Use default input or output device."
msgstr ""

#. (itstool) path: title/em
#: C/pulseaudio.page:26
msgid "Buffer"
msgstr ""

#. (itstool) path: item/p
#: C/pulseaudio.page:28
msgid "Pulsesrc plugin buffer size. It affects latency"
msgstr ""

#. (itstool) path: title/em
#: C/pulseaudio.page:34
msgid "Latency"
msgstr ""

#. (itstool) path: item/p
#: C/pulseaudio.page:36
msgid "Pulsesrc plugin latency value."
msgstr ""

#. (itstool) path: title/em
#: C/pulseaudio.page:42
msgid "Block Size"
msgstr ""

#. (itstool) path: item/p
#: C/pulseaudio.page:44
msgid ""
"This controls the size of the audio buffer. Higher values increase latency "
"but decrease cpu usage of a few plugins."
msgstr ""

#. (itstool) path: page/title
#: C/testsignals.page:9
msgid "Test Signals"
msgstr ""

#. (itstool) path: page/p
#: C/testsignals.page:10
msgid ""
"These signals can be used to test the frequency response of your speakers."
msgstr ""

#. (itstool) path: page/title
#: C/calibrationmic.page:9
msgid "Microphone"
msgstr ""

#. (itstool) path: page/p
#: C/calibrationmic.page:10
msgid ""
"If you have a microphone with reasonably flat response you can use it "
"together with a pink noise test signal to estimate how flat is your audio "
"setup frequency response."
msgstr ""

#. (itstool) path: title/em
#: C/calibrationmic.page:17
msgid "Window"
msgstr ""

#. (itstool) path: item/p
#: C/calibrationmic.page:19
msgid ""
"The amount of time the microphone signal will be measured. Higher values "
"will reduce noises."
msgstr ""

#. (itstool) path: title/em
#: C/calibrationmic.page:26
msgid "Measure Noise"
msgstr ""

#. (itstool) path: item/p
#: C/calibrationmic.page:28
msgid ""
"Saves the last measurement to be used as background noise. Usually you would "
"use this before turning on the pink noise."
msgstr ""

#. (itstool) path: title/em
#: C/calibrationmic.page:35
msgid "Subtract Noise"
msgstr ""

#. (itstool) path: item/p
#: C/calibrationmic.page:37
msgid "Subtract the stored background noise from the measurement."
msgstr ""

#. (itstool) path: page/title
#: C/enableapp.page:10
msgid "Enable or Disable an Application"
msgstr ""

#. (itstool) path: page/p
#: C/enableapp.page:12
msgid ""
"You can choose which applications have effects applied through the switch "
"next to its name. If you always want to apply effects to all applications "
"take a look at <link xref=\"general#title_enable_all_apps\" its:withinText="
"\"yes\">Enable All Applications</link>."
msgstr ""

#. (itstool) path: page/title
#: C/effectsorder.page:10
msgid "Changing Effects Order"
msgstr ""

#. (itstool) path: page/p
#: C/effectsorder.page:12
msgid ""
"You can change the plugins order in the effects chain. Just click on the up "
"and down arrows next to the plugin name. The first plugin from top to bottom "
"is the first to receive the audio signal."
msgstr ""

#. (itstool) path: page/title
#: C/userpresets.page:10
msgid "Creating and Importing User Presets"
msgstr ""

#. (itstool) path: page/p
#: C/userpresets.page:12
msgid ""
"You can save your own presets. Just add write a name and click on the add "
"button. Presets can be imported clicking on the button to the left."
msgstr ""

#. (itstool) path: page/p
#: C/userpresets.page:16
msgid ""
"When you save a preset the current configuration of all plugins is saved to "
"its file. This means you can have presets that combine the effects of "
"different plugins."
msgstr ""

#. (itstool) path: page/p
#: C/userpresets.page:21
msgid ""
"You can also make a preset autoload when an input or output device is added "
"to the system. Just click on the button with curved arrows while the desired "
"device is selected as the system default device."
msgstr ""

#. (itstool) path: page/title
#: C/advancedinfo.page:10
msgid "Advanced Information"
msgstr ""

#. (itstool) path: page/p
#: C/advancedinfo.page:12
msgid ""
"PulseEffects audio processing is composed by 3 main stages. Each of them "
"needs a specific audio format and sampling rate. This information is show in "
"the headerbar subtitle."
msgstr ""

#. (itstool) path: page/p
#: C/advancedinfo.page:17
msgid ""
"Another important information is the latency introduced by the audio "
"processing. This the the last information shown. The displayed value is in "
"milliseconds."
msgstr ""

#. (itstool) path: page/title
#: C/saturated.page:10
msgid "Saturation Warning"
msgstr ""

#. (itstool) path: page/p
#: C/saturated.page:12
msgid ""
"If the audio signal coming out from the pipeline is too high very unpleasent "
"noises will be produced. In case this happens the warning in the image above "
"is shown so that the user can reduce the audio level using the limiter or "
"the maximizer."
msgstr ""

#. (itstool) path: page/title
#: C/autogain.page:5
msgid "Auto Gain"
msgstr ""

#. (itstool) path: page/p
#: C/autogain.page:6
msgid ""
"PulseEffects auto gain is based on the library libebur128. It changes the "
"audio volume to a perceived loudness level that can be tweaked by the user."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:10
msgid "Target"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:12
msgid "Loudness level."
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:18
msgid "Resets the auto gain history."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:22
msgid "Detect Silence"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:24
msgid ""
"When the momentary loudness is below the relative we assume the audio "
"material is passing through a brief moment of silence and no changes to the "
"output gain are applied. If you do not want this behavior disable the "
"silence detection."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:28
msgid "Use Geometric Mean"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:30
msgid ""
"The estimated loudness is obtained from the geometric mean of the momentary, "
"short-term and integrated loudness. When this option is disabled a weighted "
"average is used."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:34
msgid "Momentary"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:36
msgid ""
"Controls how much the momentary term will influence the loudness level "
"estimation."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:40
msgid "Short Term"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:42
msgid ""
"Controls how much the short term measure will influence the loudness level "
"estimation."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:46
msgid "Integrated"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:48
msgid ""
"Controls how much the integrated term will influence the loudness level "
"estimation."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:52
msgid "Relative"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:54
msgid ""
"Relative threshold. It is used to detect silence. Whenever the momentary "
"term is below this threshold modifications to the output gain will be "
"disabled."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:58
msgid "Loudness"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:60
msgid ""
"Estimated input loudness. The difference between its value and the target "
"loudness determines the output gain."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:64
msgid "Range"
msgstr ""

#. (itstool) path: item/p
#: C/autogain.page:66
msgid "Loudness range. Indicates how large is the material dynamic range."
msgstr ""

#. (itstool) path: title/em
#: C/autogain.page:70
msgid "Gain"
msgstr "Усиление"

#. (itstool) path: item/p
#: C/autogain.page:72
msgid ""
"Output gain value. The input signal will be multiplied by this correction "
"gain to bring its loudness to the target value."
msgstr ""

#. (itstool) path: page/title
#: C/blocklist.page:9
msgid "Applications Blocklist"
msgstr ""

#. (itstool) path: page/p
#: C/blocklist.page:11
msgid ""
"In the settings menu there is an option that allows the user to apply "
"effects to all applications without the need to switch each one on "
"individually. But there are cases where the user wants a specific "
"application to be excluded from the \"Enable All\" functionality. This can "
"be done by using a blocklist. Just add the application name exactly as it is "
"shown in the \"Applications\" entry."
msgstr ""

#. (itstool) path: page/title
#: C/guide_1.page:5
msgid "Enhancing your internal notebook speakers without using an equalizer"
msgstr ""

#. (itstool) path: page/p
#: C/guide_1.page:6
msgid ""
"This tutorial was written by Markus Schmidt schmidt@boomshop.net on November "
"2019"
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:8
msgid "Introduction"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:9
msgid ""
"If you're a notebook user relying on your internal speakers and you - like "
"me - own a model suffering from a tinny, clanging sound, PulseEffects is "
"your salvation!"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:10
msgid ""
"Commercial operating systems on laptops these days often come with software "
"like Dolby Theatre and the like to enhance the sound of lousy notebook "
"speakers to something more substantial and acoustically rich. Under Linux, "
"PulseEffects will do the job for you, although, compared to the commercial "
"pendants, there's some manual tweaking required until the community sets up "
"a database with presets for common machines."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:11
msgid ""
"This DSP software comes with everything needed to fatten the sound of your "
"laptop speakers with a flexibility never found in other operating systems. "
"Unfortunately the drawback of this flexibility is that average users will "
"get lost in the sheer amount of possibilities. That's why this tutorial was "
"created."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:14
msgid "Why no equalizer?"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:15
msgid ""
"We will attack the problems one by one utilizing specific signal processors, "
"deliberately renouncing equalizers. Equalizers are not of any help here but "
"tend to make these kinds of problems even worse. This is because of the "
"nature of this processor, but also because users tend to add to the signal "
"(additive equalization) instead of trying to eliminate problems by removing "
"from the signal (subtractive equalization) like it is usually done in the "
"professional world."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:16
msgid ""
"But even subtractive equalization wouldn't be of any help since the "
"amplifiers and speakers in a notebook are not loud enough by default, so "
"trying to eliminate problems this way leads to a quiet and still castrated "
"sound. And raising the volume afterwards generally leads to distorted sounds "
"and other problems because the system was at its limits beforehand and just "
"fiddling with the frequency response doesn't help at all."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:19
msgid "Frequency Range"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:20
msgid ""
"We'll have to talk about the frequency range. For a better understanding and "
"because of the way we will solve our problems I'll break it down to five "
"ranges which are:"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:23
msgid ""
"<em style=\"strong\">Sub</em> More or less vibrations up to something an ear "
"can barely hear. Everything from 10Hz to ~40Hz."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:29
msgid ""
"<em style=\"strong\">Low or Bass</em> Where the whole fundament of a signal "
"is located. Low end of bass drums, bass synthesizers and bass guitars are "
"found here. Movies occupy this range with explosions, rumbling waters, "
"thunder, heavy gun fire and the like. Absolutely missing on notebooks and "
"tablets. Technically speaking its ~60Hz - ~200Hz."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:35
msgid ""
"<em style=\"strong\">Low-Mid</em> Hit a 0.5m³ cardboard box and you know "
"what low-mids are. The \"punch\" of a sound is often located here, also the "
"juice of snare drums and electric guitars. In Movies, roaring engines and "
"shotguns are found in this range. We're talking about ~250Hz - ~750Hz."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:41
msgid ""
"<em style=\"strong\">High-Mid</em> This is the ears most important and "
"sensitive range. The main information of any kind of signal is located here. "
"Human voice, picking of guitars, attack of drums, the colour of a "
"synthesizer - everything carrying the main information of sound. Something "
"around ~1kHz - ~4kHz."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:47
msgid ""
"<em style=\"strong\">Highs</em> The air, the breathe, the sizzling, the "
"splashing - this is the range of brightness. Everything around and above "
"~5kHz."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:55
msgid "Test Signal"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:56
msgid ""
"You definitely need a good signal for this job. I decided to use Seeed: <_:"
"link-1/>"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:60
msgid ""
"It is quite snappy, has lots of well defined substance, clear and bright "
"highs, present vocals, comes with a very balanced frequency response and is "
"a great mix in combination with great mastering. Afterwards I tested against "
"various movies and other stuff like talks, classical music and the like and "
"was convinced of the result. Well produced, modern pop music (avoid the 80's "
"and 90's stuff) is always a good test signal for this kind of job. Movies "
"are way too dynamic, so is classical music, and they normally don't cover a "
"steady, broad frequency range like this kind of signal."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:61
msgid ""
"We will not be able to make the notebook bounce. What is the goal here is "
"that everything contained in the mix gets audible in a well balanced manner "
"and to gain a present, upfront, broad and hopefully rich sound."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:62
msgid ""
"I assume you don't utilize a player or source which is able to produce "
"levels above 0dB. I also assume you don't use e.g. video players volume bar "
"to lower the volume of your source. This approach works well for defined, "
"mixed and mastered sound sources like music, movies, tv and the like, played "
"back at 100% volume in the player. Set the volume desired on your hardware "
"via PulseAudio <em style=\"strong\">after</em> the processing happened."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:69
msgid "Problems"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:70
msgid "Let's investigate the biggest problems first:"
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:73
#, fuzzy
msgid "<em style=\"strong\">Bass</em>"
msgstr "<em style=\"strong\">Излом</em>"

#. (itstool) path: item/p
#: C/guide_1.page:76
msgid ""
"The most obvious problem of notebook speakers is the tinny, pressure-free "
"sound not reproducing any kind of low-end. This is because of the size of "
"the membranes and the inadequate housing. Fortunately software can work "
"around this issue at least a bit."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:79
#, fuzzy
msgid "<em style=\"strong\">Highs</em>"
msgstr "<em style=\"strong\">Отношение</em>"

#. (itstool) path: item/p
#: C/guide_1.page:82
msgid ""
"Often the highs are quite bitchy, not representing the \"air\" but torturing "
"the listener with searing sibliants. In order to fix that we need to equal "
"this frequency range out."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:85
#, fuzzy
msgid "<em style=\"strong\">Overall Fequency Response</em>"
msgstr "<em style=\"strong\">Восстановление</em>"

#. (itstool) path: item/p
#: C/guide_1.page:88
msgid ""
"Normally the relation between the different frequency ranges low, low-mid, "
"high-mid and height is quite out-of-bounds. This needs correction, although "
"I promised a tutorial without EQ."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:91
#, fuzzy
msgid "<em style=\"strong\">Distortion</em>"
msgstr "<em style=\"strong\">Отношение</em>"

#. (itstool) path: item/p
#: C/guide_1.page:94
msgid ""
"Because of the thin and neutered sound users tend to raise the volume or "
"even add an equalizer to raise missing frequency ranges. This normally leads "
"to digital distortions because every signal above 0 dB at the sound card DAC "
"will go from occasional crackling up to a totally distorted sound."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:97
#, fuzzy
msgid "<em style=\"strong\">Dynamic range</em>"
msgstr "<em style=\"strong\">Излом</em>"

#. (itstool) path: item/p
#: C/guide_1.page:100
msgid ""
"With movies, but music aswell, those tiny transducers tend to wiping away "
"low-level sounds but going ballistic on loud and bassy sounds. For this "
"reason it's recommended to reduce the overall dynamic range so you don't "
"need to press your ear onto the palm rest when the lady in the movie starts "
"whispering."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:103
#, fuzzy
msgid "<em style=\"strong\">Stereo Image</em>"
msgstr "<em style=\"strong\">Излом</em>"

#. (itstool) path: item/p
#: C/guide_1.page:106
msgid ""
"The stereo base is quite narrow because of the positioning of the speakers "
"inside the laptop which gives an impression of almost mono signals."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:111
msgid "Solutions"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:112
msgid ""
"Let's start fixing the sound. The result will not come even close to "
"something more substantial but at least we'll be able to get the best out of "
"the physical boundaries of these transducers."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:113
msgid ""
"Every parameter we are gonna set absolutely depends on your situation and "
"the hardware you've got. Every notebook has its own frequency response and "
"dynamic range so there's no panacea. But the audio signal processors, their "
"order and their missions are well defined and reproducable."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:114
msgid ""
"Don't care about clipping in the plugins level meters. The signal will be "
"processed as 32bit numbers internally (check title bar) which gives a non-"
"clipping overhead of hundrets of decibels. The only thing that shouldn't "
"happen is that there's clipping when the signal hits the sound card "
"DAC(Digital-to-Analog Converter), which would result in digital distortion."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:115
msgid "Let's head over to the signal chain:"
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:118
#, fuzzy
msgid "<em style=\"strong\">Limiter</em>"
msgstr "Величина"

#. (itstool) path: item/p
#: C/guide_1.page:121
msgid ""
"We will start with the <em style=\"strong\">last</em> signal processor being "
"used. As I explained earlier, as soon as the signal hits the sound card DAC "
"it has to be below 0dB, otherwise it will result in a distorted, messy sound."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:126
msgid ""
"Drag the Limiter to the top of the list of processors and enable it. You "
"will not hear any difference, which is what we expect. It will hit in as "
"soon as we start messig up the signal with all the other processors. Set "
"lookahead to 2ms, release to 8ms and oversampling to x4."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:127
msgid ""
"A limiter monitors the signal in (nearly) realtime and detects peaks over a "
"certain threshold, in our case 0 dB. As soon as a peak is detected, it "
"starts lowering the volume constantly (within the lookahead) until the peak "
"will be below threshold. Afterwards it raises the volume again (within "
"release time frame) until it is back to normal. This way we avoid signals "
"above threshold hitting the DAC without being noticed too much. If one tries "
"to overdo limiting, it will definitely result in distortion and other side "
"effects, but in our case it's just a fire-and-forget troubleshooter so we "
"can concentrate on the results without trying to mess with levelling over "
"and over again."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:128
msgid ""
"Don't overdo things! This might render your overall sound eperience worse "
"than before."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:129
msgid "Let's look at the <em style=\"strong\">real</em> processing now."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:136
#, fuzzy
msgid "<em style=\"strong\">Filter</em>"
msgstr "<em style=\"strong\">Восстановление</em>"

#. (itstool) path: item/p
#: C/guide_1.page:139
msgid ""
"First of all we should remove frequencies that cannot be heard because even "
"if the speakers are unable to reproduce them a lot of energy will be wasted "
"in the process. This will lead to problems like not being able to use the "
"full dynamic range and the introduction of digital and physical distortions."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:140
msgid ""
"Drag the Filter to the top of the list (above the Limiter) and enable it. "
"Set the type to 36 dB High Pass (this will cutt off everything below a "
"frequency and will let everything above it pass) and the frequency to 50 Hz "
"(which is definitely below your laptop's speakers abilities). Continuously "
"raise the frequency by 10 Hz until you start hearing a change in the lower "
"end of the audible signal, which should be around 130-160Hz. Subtract 10% "
"(or 15 Hz) and set it as the Filters frequency. On my machine it is 145 Hz, "
"since the signal started being affected at 160Hz."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:141
msgid ""
"What happened is that we removed everything the speakers can't reproduce at "
"all, leaving a little bit of signal just below this frequency, which is "
"quite important for the next step."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:144
#, fuzzy
msgid "<em style=\"strong\">Bass Enhancer</em>"
msgstr "<em style=\"strong\">Восстановление</em>"

#. (itstool) path: item/p
#: C/guide_1.page:147
msgid "Let's grow some testicles to the signal."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:148
msgid ""
"Drag the Bass Enhancer to the second position after the Filter plugin and "
"enable it. Set the floor to 10Hz and forget about it (we already removed "
"everything below the Filter plugin cuttoff frequency). Raise Harmony to 10 "
"and start with a range of 200Hz. Now start raising the amount continuously "
"until the bass takes over the whole energy, which is definitely too much. "
"For me it works best at +24dB. Which is huge but my ThinkPad P1 has the "
"worst speakers I've ever heard in a 2.8k € notebook."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:149
msgid ""
"What happens is that the Bass Enhancer adds frequencies to the signal which "
"weren't there before. While an equalizer only raises stuff which is already "
"in the signal, a bass enhancer improves the lower end by adding distortion "
"to a specific frequency range. This kind of distortion adds so called "
"harmonics to the signal which is a multiple of existing frequencies. You can "
"choose seamlessly between 2nd and 3rd harmonics, which means that a "
"frequency of 100Hz produces a new signal of "
"200Hz/300Hz/400Hz/600Hz/800Hz/900Hz/... at varying (due to the harmonics "
"setting) and constantly decreasing levels. This means we're effectively "
"raising the lower range into something better reproducable. It doesn't add "
"or raise the <em style=\"strong\">real</em> fundament (so your trousers "
"won't start to flutter), but makes more audible signals that have been "
"swallowed by the hardware before."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:154
msgid ""
"Your output meters will definitely start to flash red but you shouldn't care "
"about it since it doesn't result in digital distortion of the overall signal "
"as explained earlier."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:155
msgid ""
"Later on, in order to refine the result, you should play with the amount "
"parameter to define the level of bass and maybe with the range to define the "
"upper end of our additional harmonics."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:158
#, fuzzy
msgid "<em style=\"strong\">Multiband Compressor</em>"
msgstr "<em style=\"strong\">Излом</em>"

#. (itstool) path: item/p
#: C/guide_1.page:161
msgid ""
"This is the most demanding step in the chain. Even professionals have great "
"respect for this signal processor since it's absolutely able to destroy your "
"signals big time. But let's be honest, we're consumers and no one will hear "
"the difference between 100 ms and 200 ms attack time - even on notebook and "
"tablet speakers. This means we can work with some reliable, well established "
"defaults for the timing and frequency splits."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:162
msgid ""
"The Multiband Compressor will solve several things for us. It will cut "
"outstanding and annoying frequencies, lower the overall dynamic range and "
"figure our overall frequency reponse. The latter is what most people try to "
"achieve with an equalizer. Thing is equalizers aren't dynamic which will add "
"to the problems instead of solving anything."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:163
msgid ""
"Drag the Multiband Compressor to the third position, after the Bass Enhancer "
"and before the Limiter."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:164
msgid ""
"Since the Bass Enhancer really raised the energy and level of the signal, "
"lower the Multiband Compressor input gain to -6 dB as a starting point. "
"Let's set the split frequencies for the different bands to:"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:167
msgid "250 Hz"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:170
msgid "1250 Hz"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:173
msgid "5000 Hz"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:176
msgid "Afterwards let's set some defaults:"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:179
msgid "Low Band"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:182 C/guide_1.page:205
msgid "Attack: 150 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:185
msgid "Release: 300 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:188
#, fuzzy
msgid "Threshold: -16 dB"
msgstr "Порог срабатывания"

#. (itstool) path: item/p
#: C/guide_1.page:191
#, fuzzy
msgid "Ratio: 5:1"
msgstr "Степень сжатия"

#. (itstool) path: item/p
#: C/guide_1.page:194
msgid "Knee: 12 dB"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:197 C/guide_1.page:220 C/guide_1.page:243 C/guide_1.page:266
#, fuzzy
msgid "Makeup: 4 dB"
msgstr "Компенсирование"

#. (itstool) path: item/p
#: C/guide_1.page:202
msgid "Low Mid Band"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:208
msgid "Release: 200 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:211 C/guide_1.page:234 C/guide_1.page:257
#, fuzzy
msgid "Threshold: -24 dB"
msgstr "Порог срабатывания"

#. (itstool) path: item/p
#: C/guide_1.page:214 C/guide_1.page:237
#, fuzzy
msgid "Ratio: 3:1"
msgstr "Степень сжатия"

#. (itstool) path: item/p
#: C/guide_1.page:217 C/guide_1.page:240 C/guide_1.page:263
msgid "Knee: 9 dB"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:225
msgid "High Mid Band"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:228
msgid "Attack: 100 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:231
msgid "Release: 150 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:248
msgid "High Band"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:251
msgid "Attack: 80 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:254
msgid "Release: 120 ms"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:260
#, fuzzy
msgid "Ratio: 4:1"
msgstr "Степень сжатия"

#. (itstool) path: item/p
#: C/guide_1.page:271
msgid "These values should be a good starting point."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:272
msgid ""
"A compressor lowers signal levels which appear above a certain threshold. It "
"adds a simple multiplication to the signal defined by the ratio. If the "
"threshold is set to -24 dB and ratio to 2:1, a signal of -12 dB would in "
"fact become -18 dB. In this example one can then raise the makeup parameter "
"to 6dB, since this is what went \"lost\". So first of all we're rendering "
"loud signals quieter to then raise the overall volume, which leads to less "
"dynamic range with quiet parts becoming more audible."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:273
msgid ""
"The timing settings affect the \"speed\" of the compression. Attack means "
"that a signal needs to go over threshold for this amount of time until the "
"compressor reaches the full (negative) amplification. Release defines the "
"amount of time the signal has to stay below threshold until the "
"amplification is back to 1 again."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:274
msgid ""
"A multi-band compressor splits the signal in various frequency ranges to "
"work on them exclusively with dedicated compression stages. This means that "
"a very loud bass drum would not affect a crash cymbal, since they are "
"clearly located in different bands."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:275
msgid "Start playing around with these parameters:"
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:278
msgid ""
"<em style=\"strong\">Makeup</em> This is probably most important setting in "
"this concept. Makeup raises the signal after compression stage which means "
"that it directly influences the perceived volume of every single band. Or in "
"other words: <em style=\"strong\">this is your equalizer</em> :) Raise "
"makeup of single bands to make them louder or quieter. I ended up with Low/"
"Low-Mid/High-Mid/High: 4 dB / 3 dB / 6 dB / 6 dB on my ThinkPad P1."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:286
msgid ""
"<em style=\"strong\">Input Level</em> Set it to -6 dB by default, I ended up "
"at -3dB. What happens is that a higher input level pushes all bands of the "
"compressor equally, leading to a allegedly louder sound (well, the loudness "
"was raised in fact) without tweaking every single band manually. This "
"reduces the overall dynamic range, raising quiet parts and squeezing loud "
"parts even more."
msgstr ""

#. (itstool) path: item/title
#: C/guide_1.page:294
#, fuzzy
msgid "<em style=\"strong\">Stereo Tools</em>"
msgstr "<em style=\"strong\">Излом</em>"

#. (itstool) path: item/p
#: C/guide_1.page:297
msgid "After figuring our overall sound let's look for some icing on the cake."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:298
msgid ""
"Drag the Stereo Tools to the fourth position, after Multiband Compressor and "
"before Limiter. This tool has a lot of functionality but we only need just a "
"single parameter. Switch to the last tab \"Output\" and set the parameter "
"stereo base to 0.25. That's it."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:299
msgid ""
"Stereo base acts on the two channels. It adds inverted signals crossover-"
"wise. This way one can bring a full stereo signal down to mono seamlessly "
"(by going negative values, -1 is fully mono) but also raise the stereo base "
"by choosing positive numbers. This setting has lots of side effects, so "
"avoid overdoing it! One of the bigger problems is that it reduces the bass "
"range due to different effects, which is something we <em style=\"strong"
"\">definitely</em> don't want here."
msgstr ""

#. (itstool) path: item/p
#: C/guide_1.page:304
msgid ""
"Play with stereo base to spread the appearance of your sound to a nice, "
"broad stage without loosing the center (vocals, snare drums, conversations "
"in movies) or substance in the lower end. Most likely values between 0 and "
"0.5 will give some good results."
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:309
msgid "Aftermath"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:310
msgid ""
"Hopefully you ended up with a <em style=\"strong\">better</em> sound than "
"before. This signal processor chain is able to completely trash your sound "
"if not done right but also can improve it to compete with some high class "
"notebook speaker systems. All manufacturers put on the pants the same way "
"and Dolby Theatre is no rocket science but just some presets on a presumably "
"comparable set of signal processors set up in the presumably same way as "
"this tutorial explained."
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:315
msgid ""
"When my notebook was new, I first ran the pre-installed Windows system in "
"order to test if all hardware is working. Sound-wise I remembered the bad "
"reputation of this machine in every test, so I tried some tunes on Youtube - "
"and was quite convinced. After installing my Linux system the enthusiasm was "
"totally gone - the sound turned into a squawking, pressureless something. It "
"became clear that all problems of the internal speakers where due to the "
"missing sound chips DSP driver. But fortunately Wellington Wallace spent his "
"spare-time casting the most important Calf plug-ins for this job into "
"something usable on consumers systems. Thanks a bunch for that, mate!"
msgstr ""

#. (itstool) path: section/title
#: C/guide_1.page:318
msgid "tl;dr"
msgstr ""

#. (itstool) path: section/p
#: C/guide_1.page:319
msgid ""
"Sorry dude, this isn't done by simply loading a preset, since the community "
"is not Apple, Lenovo or Dell offering high quality Dolby Theatre drivers for "
"your particular machine."
msgstr ""

#. (itstool) path: page/title
#: C/rnnoise.page:9
msgid "Noise Reduction"
msgstr ""

#. (itstool) path: page/p
#: C/rnnoise.page:10
msgid "Noise reduction is the process of removing noise from a signal."
msgstr ""

#. (itstool) path: page/p
#: C/rnnoise.page:13
msgid ""
"PulseEffects Noise Reduction is made on the library RNNoise which is based "
"based on recurrent neural network, a class of artificial neural networks "
"where connections between nodes form a directed graph along a temporal "
"sequence. This allows it to exhibit temporal dynamic behavior."
msgstr ""

#. (itstool) path: page/p
#: C/rnnoise.page:19
msgid ""
"Standard RNNoise Model is used and custom models can be imported to perform "
"different types of noise reduction."
msgstr ""

#, fuzzy
#~ msgid "Reference Signal"
#~ msgstr "Отклики"
